Ghana’s choral music industry stands as a vibrant pillar of the nation’s cultural identity, blending traditional African rhythms with Western classical influences to produce soul-stirring harmonies that resonate across generations. Rooted in church traditions and community ensembles, choral music in Ghana has evolved into a powerful tool for worship, education, and national expression.
At the heart of this rich tradition are the composers — visionaries whose melodies have inspired faith, unity, and resilience. Yet, many of these musical architects remain unsung. Celebrating Ghana’s choral composers is not only a tribute to their artistry but a vital step in preserving and elevating a heritage that continues to shape the nation’s spiritual and cultural landscape.
In a stirring celebration of legacy and cultural excellence, the Richmond Kobina Anaman Ministry (RKA Ministry) launched the first edition of its live concert series, “Rhythms and Roots: Legacy in Motion,” on August 3, 2025, at the Trinity Baptist Church in East Legon. The event honored the remarkable life and contributions of Mr. Jacob Wilson Sey (J.W.Sey) — a towering figure in Ghana’s choral music and sports scene. Through a captivating one-man theatrical performance, the evening offered a powerful reflection on a life marked by talent, transformation, and unwavering faith.
J.W. Sey And His Family (J.W. Sey in the middle)
This visionary initiative seeks to not only honor and immortalize the stories of Ghana’s living legends but also celebrate their contributions that have shaped the nation’s cultural, musical, and social fabric.
The event was also honored with messages from notable figures, including: – Rev. Dr. Joyce Aryee (Executive Director, Salt and Light Ministries) – Prof. Joshua Amoah (Lecturer, Department of Music, University of Ghana, Legon), Mr. J. D. Kane (Former Vice President, Association of Methodist Church Choirs, Ghana). Their messages added depth and significance to the event, highlighting J.W. Sey’s impact on the music industry and beyond.
The atmosphere of the event was highly charged, with the audience demonstrating full engagement and enjoyment throughout the proceedings. J.W. Sey expressed evident joy and gratitude for the honor conferred upon him, and his enthusiasm was distinctly perceptible.
The occasion featured performances from several esteemed groups, including the Harmonious Chorale, Gramophone Chorus, Freedom Choir Ghana, SOI, and Eddie Gaisie, who delivered hymns and musical selections as tributes to J.W. Sey.
Richmond Kobina Anaman Displaying The Epic Life Story Of The Legendary, J.W. Sey
Each choir provided a compelling performance, highlighting their musical capabilities while commemorating J.W. Sey’s remarkable legacy. Eddie Gaisie, with his exceptional tenor voice, captivated the audience with a mesmerizing performance that left attendees in admiration.
Adepa, the winner of the prestigious MTN Hitmaker Season 9, enthralled the crowd with her interpretation of “No More Night” by David Phelps, a piece renowned for its vocal difficulties. Her performance was truly remarkable. Andy Katah delivered a profound spoken word piece honoring J.W. Sey, compelling the audience with his impactful delivery.
Harmonious Chorale Performing
Richmond Kobina Anaman’s one-man sketch that reenacted J.W. Sey’s life journey—from sports to music and his near-death experiences—was an artistic masterpiece that greatly impressed the audience. The inaugural edition prominently featured the life and legacy of Mr. Jacob Wilson Sey, a distinguished figure in Ghana’s choral music tradition and sports history.
His diverse and impactful journey was vividly illustrated through the powerful one-man theatrical performance titled “The Epic Life of J.W. Sey,” which was both written and performed by Richmond Kobina Anaman.
The performance opened with a lively portrayal of Sey’s early years — an energetic and bold young boy from Ekumfi Abuakwa, affectionately nicknamed “Awusie Mentsefo.” From the outset, Sey’s irrepressible spirit and natural charisma were evident. He excelled in athletics, achieving national recognition in pole vaulting, becoming a West African champion in table tennis, and rising to prominence on the football field. These youthful triumphs were illustrated with theatrical flair, drawing the audience into the joy and passion that characterized Sey’s early pursuits.
Yet, as the story unfolded, the audience was also shown the human cost of excellence. Sey’s school years were fraught with conflict, especially with authority figures who viewed his popularity and talents with suspicion. These episodes were narrated with humor and humility, adding a layer of emotional depth to the performance.
Gramophone Charale Performing
Sey’s life took a pivotal turn when he transitioned into surveying — a skill he inherited from his father. His aptitude for the profession brought financial success, but it also attracted intense legal challenges over land ownership. As his fortunes dwindled under the weight of protracted litigation, Sey found himself spiritually and emotionally drained.
But from the depths of despair emerged a powerful renaissance.
The play dramatically captured a near-death experience — a symbolic and spiritual climax in Sey’s life. Lost at sea and presumed dead, Sey recounted a miraculous encounter with an angel, who offered him a choice between worldly riches and a life devoted to music. He chose the latter. It was a decision that defined the remainder of his life and catalyzed his rise as one of Ghana’s most cherished composers and choral leaders.
Music as Ministry
Reinvigorated with purpose, Sey founded his choir despite lacking formal music education. Guided by unwavering faith and deep conviction, he went on to compose a wide array of sacred music, including original pieces for the Methodist Hymn Book (MHB) and the Christian Asɔre Nnwom (CAN). His compositions — among them the deeply reflective “Nya Gyedzi” — resonate with audiences to this day, a testament to their spiritual depth and artistic excellence.
The performance also illuminated Sey’s role as a cultural custodian. He was enstooled as the Abusuapanyin of the Ekumfi Abuakwa Aburadzi clan under the stool name Nana Adwenboa, a position from which he championed the preservation of tradition, unity, and social welfare.
Freedom Choir Performing
In the latter stages of his life, Sey faced debilitating health challenges. A mysterious swelling in his leg left him in pain and unable to walk. Yet again, his story took a divine turn. According to Sey, a mysterious man — later revealed to be a manifestation of Christ — visited him, laid hands on his leg, and healed him. This moment of supernatural healing was presented on stage with solemn reverence, symbolising Sey’s enduring connection to the divine.
Now in his nineties, Jacob Wilson Sey continues to compose music and mentor the next generation, embodying the very spirit of the “Legacy in Motion” theme.
The “Rhythms and Roots” concert was more than a musical event — it was a profound celebration of resilience, purpose, and the enduring power of legacy. Through compelling storytelling, theatrical excellence, and musical reverence, the Richmond Anaman Ministry delivered a cultural milestone that set a high standard for future editions.
As the final notes of Frank Sinatra’s “My Way” echoed through the auditorium and the standing ovation rang out, it was clear: J.W. Sey’s life is not only a testament to personal transformation but also a mirror reflecting the spirit and soul of Ghana.
Award and Honor
At the culmination of the event, J.W. SEY was awarded a citation that stated, “Citation from Rhythms and Roots: Legacy In Motion. This citation is proudly presented to J.W. Sey in recognition of his outstanding contributions to Ghana’s music and sports industries. Honoring a Legacy: For his remarkable achievements in sports, where he set a national record in pole vault and became a West African champion in table tennis, and for his enduring impact on Ghana’s music scene, inspiring future generations with his passion and dedication. Presented by: Richmond Kobina Anaman Rhythms and Roots: Legacy In Motion “Echoes of J.W. Sey” Edition August 3rd, 2025, Accra, Ghana.”
J.W. SEY’s Collection
Among the multitude of his compositions, these are some notable pieces to look out for;
- Nyame wo pɛ nyɛ hɔ,
- Just as I am
- For all the saints
- Lament thou not
- Lord, we commit
- Kódo yé asór
- Men’s Fellowship March
- O what a mighty king Jesus is!
- Yeehyiam’ wó wo dzin mu
- Gyaasu (abgadza)
- Mo ponfo Ewuradze
- Mbema meni so
- I need thee every hour
- Ewuradzi kasa kyere me
- Kanea yɛ dze hwɛ (CAN)
- Nya gyedzi
- Odomankoma Wu
- Take my life
- Ye edwuma Hwer
- Obra Asorekye
- Akompreko Agyapon
- Aunty Joyce
- Oheneba
- Obedzi Ne Hen Dabaa
The performances were top-notch, showcasing the talents of Ghana’s music industry. The event brought together music lovers and fans of J.W. Sey, creating a sense of community and celebration.
The concert was a fitting tribute to J.W. Sey’s legacy, highlighting his contributions to Ghana’s music industry.
What’s Next?
With the success of this event, organizers are likely to plan more exciting performances and tributes. Don’t miss the next edition of Rhythms and Roots!
By: Collins Scott Anyomi